A gripping opening sequence frames Hawk as like Sisyphus on a skateboard, constantly going at the task at hand-in this case, performing another 900. "Tony Hawk: Until the Wheels Fall Off" shines brightest when it resembles something like the Alex Honnold free-climbing documentary " Free Solo," honing in on Hawk's episodes of hard-earned failure, of slamming his body to the ground countless times and getting back on the board. And when the documentary tries to go deeper on the toll of skateboarding on aging bodies, for Hawk and his peers, those final notes are too stretched out to be poignant. But true to the doc's superficial tendencies, its ability to dissect larger subjects only goes so deep. He talks about fame being “the worst drug,” and it’s interesting to hear words on that from such an unlikely celebrity. Jones’ film has a reverence for Hawk but does not let that turn his piece into hagiography-the skateboarder is given time to mention the things he did not excel at in his personal life due in large part to his focus on skateboarding. It’s exciting to learn about Hawk’s origins, and the traits that led to such a stand-out career, and yet it’s telling when this sports maverick's tale is being told about in a fairly rudimentary way. It becomes like a lot of glory days docs, in that it looks back on a certain phenomenon with a collection of amazed words from everyone who was there, but doesn’t feel as fast-energy by its storytelling methods. The soundtrack to this may be full of different eras of punk (with some recognizable needle drops feeling more stock than others), but the documentary has its own edges softened by the straightforward style. That amount of success at a young age, it doesn’t teach you financial responsibility. Meanwhile, Hawk was further grounded by the focus on his family dynamics he was the youngest child in his family by many years, and his father Frank Hawk helped create the National Skateboarding Association, but also created a shadow for the growing Tony. Part of the intrigue from this documentary comes from how Jones fills in the scene, with former skating hotshots like Duane Peters talking about being unimpressed with the elaborate tricks that Hawk was doing during their competitions, or the more philosophical Rodney Mullen intellectualizing what Hawk was achieving.īecoming so good at skateboarding led peaks and valleys of fame and success for Hawk, which Jones incorporates into the stories generally chronological view of a career that thrived depending on the popularity of skateboarding. But that all traces back to him once being a super-determined teenager, who created his own space in the growing popularity of '80s skateboarding, to the dismay of his older, bigger, far more punk peers. Hawk’s career is known for being a brand, a cameo across '90s and '00s pop culture, a lanky dude who presents himself as kind and also extremely, nerdily good at what he can do.
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